http://www.thedrive.com/news/3428/the-wild-frontier-of-fuel-delivery-startups
interesting article on fuel delivery startups
http://www.thedrive.com/news/3428/the-wild-frontier-of-fuel-delivery-startups
Coolest, and most profound, thing I've read all year
Jonathan Henderson, 1960 Jeep M38A1
Blogging is Hard
Not hard like curing cancer, or stopping your two year old from drinking the bath water, but still it's challenging.
I've started this blog more times than I care to count and reworked it a couple of times - each time the gaps between posts seem to be longer than anticipated. That's all fine and dandy for a personal diary, but its not exactly the kind of regular work that draws a crowd or keeps life interesting. Its not like I was out of town, or sick. I didn't have writers block or technical issues. It's just that like all things, making a consistent effort to blog takes focus and deliberate action.
So - what to do about it? I know that consistent effort is the key to successfully connecting with folks and to growing an audience. I've also been told that it takes 28 days to form a habit. So, in the interest of making this blog habit-forming, I am going to try to post regularly for a period of time to get myself in the groove. If all goes well you will see posts from me at a rate of 2-3 per week for the next little while.
What about you reader(s)? Any tips or pointers for staying consistent?
Update 30Apr2015: I've confirmed it - blogging is hard...and I failed at my goal of posting more often. Oh well there's always tomorrow.
Blogging is Hard
Not hard like curing cancer, or stopping your two year old from drinking the bath water, but still it's challenging.
I've started this blog more times than I care to count and reworked it a couple of times - each time the gaps between posts seem to be longer than anticipated. That's all fine and dandy for a personal diary, but its not exactly the kind of regular work that draws a crowd or keeps life interesting. Its not like I was out of town, or sick. I didn't have writers block or technical issues. It's just that like all things, making a consistent effort to blog takes focus and deliberate action.
So - what to do about it? I know that consistent effort is the key to successfully connecting with folks and to growing an audience. I've also been told that it takes 28 days to form a habit. So, in the interest of making this blog habit-forming, I am going to try to post regularly for a period of time to get myself in the groove. If all goes well you will see posts from me at a rate of 2-3 per week for the next little while.
What about you reader(s)? Any tips or pointers for staying consistent?
Update 30Apr2015: I've confirmed it - blogging is hard...and I failed at my goal of posting more often. Oh well there's always tomorrow.
Writing Update - February 2014
Sometimes when I tell people I rewrote DECEPTION five and a half times in six months and that I rewrote Logan's half of DELIVERANCE three times, they look at me with something like shock and dismay. I think there's an assumption that if you're good enough to be published then you're good enough to churn out near perfect drafts the first or second time around. This is not the case. Not for me and not for any of my published friends. Rewriting is a necessary part of my craft. If drafting is me pulling all the ingredients out of the pantry and laying them all over the kitchen counter, then rewriting is refining the measurements, figuring out in which order the ingredients need to be used, and doing a few taste tests with my editor before figuring out exactly what seasoning I'm still missing.
All the rewriting, the touring, the personal upheaval in my non-publishing life ... all of that combined to make me feel like I was scraping the nearly-bare walls of my creative well at the end of working on DELIVERANCE, but I'm really proud of the book. I'm excited to put it in my readers' hands. I think I did Logan and Rachel justice. I think I did the Commander, Quinn, Willow, Frankie, Ian, and others justice too. I hope my faithful readers feel satisfied and well-filled once they finish reading.
And yes, I've heard your requests for a sneak peek at DELIVERANCE, and that is coming soon-ish. Those of you who subscribe to my newsletter have already read chapter one ... :)
So now that I've put the trilogy to bed, it's time to update you on the other projects I'm currently working on. Here's what is currently in the works:
1. OUTCAST: I'm finishing edits on Quinn's prequel story this week. I love this small glimpse into Quinn and Willow's world before everything they knew fell apart.
2. Mystery Project #1 (aka TSQ): I'm in the midst of drafting a dark, epic fantasy adventure complete with a wicked queen, a thief of a princess adept at parkour, a courageous guardsman with an agenda that could be his death sentence, and a prince trapped by a contract that will destroy him even while it saves the country he loves. This project is YA.
3. Mystery Project #2 (aka CS. Also aka Something Hinky on the Mountain, but my agent won't let me keep that title.): I'm working on revising an adult urban fantasy series that will actually be aged down to new adult (college age). Think Supernatural meets I Love Lucy set in a small mountain town in eastern Tennessee.
I have a couple of other projects that are in various stages of development but aren't ready to be drafted yet. It's always fun to be building playlists, working on synopses, and letting characters play around in my head without the commitment of needing to turn it into a full blown story yet.
Which project are you most looking forward to reading?
Ira Glass's Advice
another well written article, how car dealerships are failing to carry the car manufacturers message
Sorry, no photos, but I do actually like well written articles! I can recognize my shortcomings, and writing as well as Tom does... that is one of them
The Creation of an Effective Villain
Actually, I live to write effective stories, and that requires pushing my characters to their limits. If the villain isn't worthy of my heroes, then the story no longer matters. Readers don't sign on to read a story about characters who are kind of facing a few irksome problems that are easily dispatched if only they would simply communicate with each other and decide to do the right thing. Readers want stories that sink into their minds and whisper their secret fears. They want stories where the heroes have a snowball's chance in hell of succeeding. Stories where the victory costs nearly as much as it would cost to fail.
To deliver that, the villain must be effective. Being evil for the sake of being evil is boring. Every effective villain has a defined agenda. A cause that he is fully committed to, no matter how much collateral damage he might cause himself and others on the way to achieving his goal. Conflict happens when the hero's agenda runs perpendicular to the villain's.
But having a defined agenda and a fanatical devotion to his cause (even if his cause is himself) isn't enough. For a villain to be truly effective, readers must BELIEVE that he will follow through on his threats.
That was the secret to creating the Commander. I knew he was a brutal man who didn't truly see people as anything other than pawns in the chessboard of life. And I knew the secret fears that drove him to covet absolute power (and to be so afraid of having his word challenged). But all of that was useless if he was the kind of villain who stopped to have long threatening soliloquies, making grandiose promises of violent consequences if my characters didn't bend to his wishes. The secret of the Commander's reign of terror (both over my characters and over my readers) is that he always keeps his promises. And I had to write the scenes that proved it.
That was the hardest thing. To bring to life on the page the absolute disregard he has for human life, and the lengths to which he'll go to force people to bend to his will. His very first threat toward Rachel and Logan is instantly accompanied by a brutal murder right in front of them to drive home how easily he will keep his promises to destroy them if they try to double cross him.
I had to escalate it from there, though, because the other ingredient to a truly effective villain is to make the consequences of his actions PERSONAL to the hero, and therefore to the reader. The Commander had to hurt my characters where it really mattered, and he did it in the cold, efficient style that is his hallmark. No emotion. Just brutality so that he would get his way.
For those who've read the book, I'm talking about the wagon scene. It was a horrible scene to write. I cried all the way through it, and then I couldn't write another word again for three days. But I knew that with that one scene, I'd solidified the Commander as an effective villain because now the heroes and the reader knew without a shred of doubt that the Commander would keep his word. Instantly, the stakes in the novel rose. Failure now carried an impossibly tragic consequence, and everyone believed it.
In Deception, a new villain is added to the mix (though the Commander is still very present). This villain has a very different agenda, very different motives, and very different demons driving the actions the villain takes. But one thing remained consistent: this villain keeps his/her word. The methods are different, but the outcome is the same: the reader believes that the villain is fanatically devoted to his/her cause and will do what it takes to reach his/her goal. I had to prove it all over again. And yes, I had to make it personal because if it isn't personal, then it isn't really frightening and it doesn't truly matter. So yes, there's a scene that broke me. I still can't read it without sobbing. I guess I should apologize ahead of time to my readers, but I'm not truly sorry because for the story's outcome to matter, the villain had to be effective.
And besides, if you've read Defiance and decided to come back for more, you know what you're getting into. ;D
So, that's my recipe for an effective villain:
*A defined agenda
*Total devotion to his/her cause
*Makes the consequences for disobedience/failure personal
*Demonstrates that he/she keeps his/her promises
Selling Out?
When I asked him why that song qualified as a sell-out, he shrugged and said that all the fans were saying it. He didn't really know why, except that the song was different from earlier artistic offerings from the band.
That's a strange label in this situation. Usually, when a band gets labeled a "sell-out," fans mean that a band who produced alternative/niche music changed their style a bit and found commercial success. In Fallout Boy's case, they've already found commercial success. Their 2005 album went double platinum, and their 2007 album debuted at #1 on Billboard's Top 200. So, if the outcry isn't based on the band suddenly finding commercial success, then the problem must be the experimentation with a new sound. Fallout Boy earned their spot on the charts as a pop punk band, and their new single sounds more pop than punk.
Accusing musical artists of selling out isn't a new thing. Last year, the hip hop community was enraged when Nicki Minaj's album STARSHIPS hit the airwaves. She'd gone the pop/hip hop route and disappointed fans who felt that she had a chance to be a legit female hip hop star and instead had softened her approach in favor of radio play and a fat paycheck.
Green Day. Metallica. Liz Phair. Weezer. Taylor Swift. The list of those accused of selling out by changing their artistic approach and finding more commercial success is lengthy. The list of authors who've been accused of selling out is shorter, but it exists. Mostly the accusations raise their ugly heads when readers discover a little known author of some brilliance and feel a sense of ownership, only to then feel betrayed when the author writes books that hold more commercial appeal and thus find a larger audience.
In that sense, the criteria for selling out, both as an author and as a musician, seems to be this: you gained your place in your chosen field through the devotion of a niche group of fans who feel betrayed when you experiment with your artistic approach and then find commercial success with something other than the niche product that gained you those fans in the first place.
Even authors who've already achieved incredible commercial success can't escape the label. When J.K. Rowling published THE VACANCY, the outcry from many fans was intense. How dare she write a book aimed at adults? How could she write a little murder mystery instead of something that upheld the legacy of Harry Potter? The reviews left on THE VACANCY's Amazon page during its debut week bore testament to this. There were just as many 1 stars as 5, and most of those 1 stars centered around fans' disappointment that the book wasn't another Harry Potter.
On a deeper level, slapping the label of "sell-out" on an author or artist says "you've lost your integrity." I take exception to that for several reasons.
One, there's nothing inherently wrong with finding commercial success. We don't all have to be starving artists for our work to have merit. To equate lack of income with artistic brilliance is short-sighted and frankly stupid. I don't know many authors who go into their publishing career hoping to just be heard, no matter how little money they make. Yes, we love writing and we desperately want to keep writing books and putting them in the hands of readers. That won't ever change. But we also want to eat and pay our bills. Most of us approach our publishing career with a plan to find some level of commercial success so that we can eat and pay our bills and maybe, if we're really fortunate, send one of our kids to college. To accuse someone of "selling out" because a book hits the list is to assume that the author never intentionally sought to earn a paycheck.
Two, creativity isn't something that thrives well inside a box. It needs the freedom to stretch its boundaries and experiment. Sometimes those experiments flop. Sometimes they send your single straight up the Billboard charts or land your book on the NYT's list. Often, those experiments will stray from your original book/song/album/whatever. My writing voice has stretched and grown over the years. It grew leaps and bounds from Defiance to Deception, and I expect it to continue to grow because I plan to continue to experiment. Some of those experiments, some of the projects that are steadily gaining shape inside my head, bear no resemblance to Defiance. Readers who fall in love with this series might love my next books. They might not. I can't stop and look over my shoulder and second guess my creativity because someone might think I've left my roots. Why shouldn't all artists have that freedom?
Three, labeling someone as a sell out indicates that YOU understand their inner drive, their passion, and their vision for their life better than they do. Nicki Minaj wasn't supposed to step away from hip hop. Green Day wasn't supposed to stretch beyond punk. Metallica wasn't supposed to care about album sales. J.K. Rowling wasn't supposed to write anything but children's fantasy. Grisham wasn't supposed to write anything but legal thrillers.
But they did. And I don't think that makes them a sell-out. I think that makes them human. Artists. Creative. Passionate. I think it means they wanted to try new things. Or maybe they had a different career trajectory in mind than their fans thought they would. Or maybe they sat down one day and the voice of their next project was just different from the voice of their last.
We can't be afraid of that as artists. We can't stay shackled to our roots, huddled against the ground producing the same thing over and over again because if we stretch too far in any direction we might fail. We might turn our fans against us. We might sell too many copies or too few.
For me, it comes down to the same philosophy that keeps me happily ignoring my reviews and filtering out any voices but the few I've intentionally chosen to allow into my creative process: If I wouldn't cry for you at your funeral, I don't have to care what you think of me now.
I'd love to see the accusation of "selling out" dropped. I know that's a pipe dream because there will always be niche fans (I'm often one of them!) who feel a kinship with an author or artist and then feel slapped in the face when that author/artist moves in a different direction. But I'd like to offer the idea that healthy people grow emotionally. They don't stay in the same cycles. Who we are and what we have to say about life when we're twenty-three is different from what we have to say when we're thirty-five. Sometimes our voice doesn't change all that much, though our words do. But sometimes, the voice, the words, and the entire approach undergo a metamorphosis along with us. And sometimes, it has nothing to do with growth and everything to do with being business savvy along with being creative.
I don't consider either to be selling out. Selling out is when you KNOW your voice is gritty and dark, but you pull back from that ledge because you aren't sure you have what it takes to go there. Selling out is when truth is burning inside of you and you cover it up because you're afraid of what others will think when they see you without any walls to hide behind. Selling out is desperately wanting to experiment with a new style, a new genre, a new hook, and saying no to it because it might fail. You might fail.
If we sell out, we do it to ourselves by short-changing our creativity and chopping our vision off at the knees out of fear. I say write what you want to write. If it's commercial, fabulous. If it isn't, and you wish it was, then find a way to say what you need to say in a way that will still entice people to buy your book or your album. I say experiment and push your own creative boundaries and see where it takes you. If you land on the list and there are those who decry you for moving too far from your original works, then ask yourself what you're doing listening to them in the first place. Really. Who are you listening to and why?
I hope you're listening to your own creativity. To your own vision for what you want to say and how you want to say it. And I hope you're allowing other artists to step outside of the box you might have built around them. Even if it looks like the only reason they stepped out of it was to pay the bills.
Please share your thoughts about selling out in the comments below. I look forward to hearing your opinions!
The joy of writing
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| Books are beautiful gifts... but you can write words to improve other's lives too. |
"No man is an island..."
These words were penned by John Donne as he thought he lay dying from the plague. Masterful words as he pondered the meaning of life and death 'for whom the bell tolls."
Truly, some of the most heart wrenching, agonizing circumstances, squeeze from the pen of great authors words full of meaning that distill rich drops of life onto the pages of history.
"Never, never, never give up."
said Winston Churchill to a people who were pondering just that. The words meant so much because the nights were, quite literally, so black, punctuated by fiery death dropped from the sky and sirens that kept sleep at bay. Who could understand a sleep deprived people with tear encrusted eyes working through the day to live to face another unfaced foe again that night?
Yet, the words became immortal when uttered at the darkest moment. They gave hope and stay written because they are repeated - this one is even on the magnet on my fridge as I teach my children to face the giants of their lives with pitiful stones and slings and a God who sees.
But as I ponder the words of so many great authors. The things written that we remember... and I wonder if all such words must be penned in some sort of prison - a prison of circumstance or solitude. If one hopes to write well, are we also wishing upon ourselves such a prison? Are the walls we erect around ourselves in order to observe the world, also separating us from the mankind upon which we ponder and reflect.
Writing is a gift and yet, there are times when I am deprived of her sweet release - stuck checking email or grading papers - I feel like my love of writing is a curse just because I can't do it. There are other times that things are so personal, that they are only suitable for journal -- indeed, that is what John Donne was writing.
Yet, his words and conclusions as he traveled through the darkest days of his life have taught me so much. He eventually concluded that one must either fear God or everything else. Such a conclusion, perhaps, could only happen from days of torment, although as one who aspires to write, I wish it wasn't so.
My own mortality raises her head at me as my body ages and small things happen... the little pop in my knee. The need to get progressive lenses and write everything down are reminders that I am at least changing in some way.
Yet, the passion I feel for my students as they walk in my room is stronger than ever. The thing is, I am also a writer too. And I feel passion for anyone who chooses to read my meager words upon the cybersphere. I am not a John Donne lifting my head to write upon a creased page as I sweat and am bled of my life's marrow by physicians ill informed and even unable to properly diagnose my malady. No GK Chesterton writing tomes of ponderings for newspapers and ready to debate and captivate audiences or Winston Churchill laying out words late into the night to secretaries who will type and return the first draft the next day as he travels to state events and insults Lady Astor. I'm no Emily Browning writing her words alone or one of the Bronte geniuses writing of love and insanity. I'm no Hemingway, getting up at 3 am to write until heading out to fish around noon - although I have to admit that his existence is one that makes me most envious. I love to fish...and write.
And yet, I realize, that the new form of writing - one which allows me to write and ponder in near real-time allows certain opportunities. While not truly a journal - surely my inner thoughts are not worthy of anyone but me and my Maker -- it is still somewhat a pondering of the current state of my life.
I write as I am living through a turmoil and lava hot level of stress that no one could truly understand as I seek to be and remain a teacher. I type as I try to balance and keep those Baskerville Hounds that seek to voraciously gobble up my positive attitude so that the marrow of my being is consumed. I scribble down thoughts I attempt to stave off the pendulum that sometimes swings overhead as I alone detect its subtle lowering of the blade upon my ability to thrive amidst the chaos.
As these struggles surround me - the network of cables tentacling through the campus like the demon beast in 20,000 leagues under the sea - or the extra curricular activities that scream into my brain like the locked up bride of Heathcliff when I'm trying to sleep. Or the precious children that I ponder daily as I plan lessons, teach, and assess and try to provide feedback that not only teaches my subject but will shape their lives.
As I work to parent the three beautiful children in my care and feed them good, healthy food. As I climb Mt. Laundry feeling as lost as the passengers in "Alive" -a book that I read as a child and made me afraid to fly over snow capped mountains. As I work to juggle an online life that would easily choke me like the tentacles of the sea that wrapped around Jonah's throat when he was thrown overboard by a crew anxious to stave off an angry God.
I watch for the threats to my peace of mind like the family in Swiss Family Robinson watched for the pirates they knew would come, and invariably, like them, those pirates come when I'm not looking.
So, while I'm not all those other masterful authors - those men and women I admire. It is easy to forget that they were flesh and blood, just like me and you, writing admist the struggles and pressures of life. They didn't always want to write, but like the prophet Jeremiah perhaps the words were "shut up like fire in my bones, I tried to hold them back but I could not." I think of Peter Marshall, the amazing Irish pastor who settled in DC, perfectly formatting sermons that would live long after him, and his grieving young widow, Catherine, who would first write "A Man Called Peter" but proceed to have a career of her own writing such novels as "Christy." I think of Philip Yancey's long struggle with God and pain and penning the book "Soul Survivor" about how he reconciled his faith in God amidst a church that falls short that has helped me with my own heartache over my childhood church's departing from the Truth.
As I ponder these great authors who have punctuated my own life with their beautiful words and prose. These people who reach through time and space like Dale Carnegie did for me as a child reading his book in the bathtub trying to figure out how to win that student government election in high school.
These authors were great because they wrote from experience and had a somewhat creative genius of seeing the world. Indeed some of them got along better with the characters in their writing than with the humans in their lives (i.e. Tolstoy).
Truthfully, my heroes have most often been speakers and authors - with a focus on the latter. From the author and finisher of my faith to the great authors of the ages - I just don't think there's enough time to read all of them. I'm so thankful that so many of the great works of the ages are converted and put on the amazon store for free so I can absorb their words as I absorb my hot bubble bath every night. Oh such mastery! Oh such beauty and such heartwrenching sadness.
This has truly been a meandering piece and one I'm not sure I'll ever publish but one I write as I grapple with my small tiny place in this scene. For writers can write, but they truly become alive when readers read. While I write nonfiction, I'm no less tenacious about the words I choose and the stories I tell. I read the manuscripts I draft for publishers and when I tire, I mark red through the page and write "boring" in the margin and rework the page.
I dream of writing and yet I write now. Even this, these are words. They are here for you to read or for you to ignore. For me, writing is a joy. As I sit here and type on my ipad and watch these letters appear upon my Blogsy app, I'm spellbound and captivated by the joy of expressing something to another person in the hopes that one person will read it.
It makes it worth it to endure the criticism of the typos and run on sentences and fragments that I intentionally allow in blog posts. This blog is a conversation of types - albeit somewhat onesided, until I get the kind comment or email - or sometimes the irate comment or email -- who do I think I am, after all - a normal, average teacher in a very small town in a very tiny school on a very large globe? Really, who am I?
It matters not who I am, but rather, what I do with what I have. My words are a love affair with other teachers who need encouragement and perhaps this post is a love affair with other writers -- anyone who writes a paragraph online in the hope that another will like, retweet, comment, or be inspired by. As for me, I live for those who send me messages that their lives are changed.
A while back a woman wrote me a note that it had been since 2011 that she had been to school without being kicked or hit or bit by her special needs students. Struggling with an unsupportive admin, she came across a blog post that I wrote one day and saw the words "All you have is enough." She wrote it in sharpie and put it on her desk -- then soon replaced it with a paraphrase of "the Lord is my shepherd..." that related to the same thought. She said it got her through November and December.
I want people to write things to help me get through February, March, April, and May this year. So, if that is what I want, that is what I'll try to be for you. You might need that encouragement too. You might need that glimmer of hope.
Writing is such a powerful medium. The pen may be mightier than the sword but enough keyboards can defeat an army. We now have the ability to escalate and elevate the great writing among us faster than ever in the history of mankind. It is a dream that we will escalate good writing, I'm not sure that it is the case, but we can dream such a dream. And right now, with the embattled educators whose hearts and minds are cast aside by a society that has lost the art of respecting educators, we need keyboards to write the encouraging words that can transform this generation.
Writing is a beautiful thing, but good writing is surreal. It lifts us from our struggles and helps us rise above the trials of life. I'm so grateful to live in an age when books are so accessible and little people like me can write and share with the world our thoughts, until, eventually, perhaps, we can become better writers worthy of a larger audience. Yet, just one improved and helped person is enough of an audience for any person. The first three months of my blog I had 7 readers, I loved those readers - they meant so much to me. I still think of them and wonder who they were.
While the authors mentioned here are truly some of the greats, it is great to be an author of any kind in any place.
Remember your noble calling, writer. I'm glad to be among you. Your words are very important and make a difference. Be the writer you want to see in the world, you live in a day where you can do that.
Ask C.J. - Reviews
Here's the absolute honest truth: As far as I'm concerned, the record is always straight. Always. It needs no help from me. Let's look at each piece of your question, and I'll explain what I mean.
1. Things That Aren't True: Well, that sucks, doesn't it? If you're going to be judged and found wanting, it would be awesome if the person doing the judging had his or her facts straight. I don't read my reviews, but a few of my friends and family members do, and so I've been told that there is a review that gets my timeline wrong, and another that gets a main character's name wrong, and another that misquotes or takes things out of context ... and even one that claimed I humped the reviewer's car.
I think I would remember that. Probably.
But here's the thing. Whether someone screws up facts or takes things out of context to prove a point doesn't matter. It doesn't. The truth is that a book is a work of art, and art is essentially about the emotional reaction the consumer has when interacting with that art. If someone responds strongly to my book, good or bad, does it really matter if they screw up a few facts? Nope. Because their emotional response is still valid. I know that's a hard pill to swallow. I really do. Something inside of you wants to stand up and say "But, if you're going to say X sucks, then at least let X be in my book!"
Don't stand up and say that. Don't say anything at all. What do you hope to accomplish? You aren't going to change the reviewer's gut emotional response to your book. You'll just succeed in looking like a douche because you're standing over them with your red marker ready to correct perceived mistakes. The review will still stand because the emotional response still stands. Only now you've guaranteed that this reviewer and all of his or her friends won't be willing to take a chance on another book of yours again.
2. Things That Are Mean: Here's another difficult piece of honesty--snark is entertaining. Most reviewers run blogs or have followings on Goodreads who expect to be entertained in some way. For some, that entertainment comes in the form of pop culture references or an unusual method of giving stars or something that thematically goes with their blog. For others, it means writing a witty, scathing piece designed to both express their true opinion and get a laugh out of their readers. It's all about the audience. It's never about you.
Did you get that?
It's all about their audience. It's never about you.
Reviewers don't hope and pray that you'll wander by their blog and read their snarkalicious review of your book. Nope. They hope and pray that their readers will consistently choose to return to their blog for more of what entertains them.
Once you put a book out into the world, it doesn't belong to you anymore. It belongs to the readers. Some of them are going to fall all over themselves to gush about your book and your characters and that perfect little sentence you wrote on page 294. Some of them are going to shrug their shoulders and say "meh, whatever" and walk away unmoved. Some of them are going to hate your book with the burning passion of 1000 suns. All of them have the right to express their emotional response to your book in a way that entertains their readers or that accurately sums up that response.
3. Kill Your Curiosity: Which brings me to my final point. Don't read your reviews. Seriously. I know you think the curiosity will kill you if you don't, but I'm telling you that's a jagged little blade that will cut your creativity down to something you barely recognize. Shut out the outside voices, sit yourself down, and write the next book. Make it better than your last. And then sit down and do it again. Don't worry about what others are saying. Focus on spending enough quiet time with yourself to hone your vision. Focus on pushing yourself to take an artistic risk. Let the vision and the risk be its own payoff. If you run around seeking affirmation from the rest of the world, you'll end up hungrier than you were when you first began to crave their approval.
Because this question ended up taking longer to answer than I originally thought, I'll save the rest for the next post. If you have questions you'd like to ask me about writing, publishing, Defiance (non-spoilery), or life in general, please feel free to leave it in the comments. :)
Ask C.J.
This week, I'm going to tackle 5 questions I was recently asked.
1. Miss Katie asked on Twitter "What do you do when facing writer's block?"
I determine what exactly is stopping me from writing. I don't believe true writer's block exists, but I do think our brains sometimes tell us a) something isn't working in the story, and we need to stop and search for the problem and a variety of solutions or b) our well of creativity is running dry, and we need to refill it.
If something isn't working, I retrace my steps to the last place where everything WAS working, and then start thinking through other possible scenarios until I see which way the story wants to go. Sometimes that means sitting down and listing every possible thing that could happen in the story until a clear picture forms. Sometimes that means calling one of my CPs and talking through the difficulty until the solution is obvious. (Side note: One of those convos is what lead me to decide to rewrite Defiance and include Logan's POV.)
If the problem is my well of creativity is running dry, I go fill it up. For me, that means watching a movie or a tv show in the same genre as my story, reading a great book, or just taking a break and running around with my kids. My brain is still working in the background.
I'm going to be honest, here, and you might not like it, but I think half of the time we say we have writer's block, what we're really saying is that the story is tangled up or the writing is hard now and the shine has worn off and we just don't want to make ourselves sit down and continue. Part of what separates those who've finished books and moved forward in their quest for publication and those who haven't is the discipline to write even when we'd rather light our laptop on fire and walk away. This is a really valuable skill to master early on because once you're contracted and under deadline, writer's block just can't raise it's ugly head for long at all.
2. Katie also asked: What advice do you have for those writing their first book?
I actually wrote a post on that, so I'll send you here. But in addition, I'm going to say that above all else, don't quit. Finish the book. Learn what you can from that experience. And start the next one. The only way you guarantee failure in this business is by quitting.
3. Aqsa Naveed asked: Do you like the good guy in a book or do you dig the bad boy?
Both! It all depends on how the character is written. I adore a well-written, fully fleshed out character. I love the ones who step up to be heroes and the ones who are twisted and scary. And if by "bad boy" you meant the angsty bad-boy-turned-reluctant-hero, I also enjoy those if they're done well. Character development is one of the things that can make or break a book to me. If I understand the character's motivations, and I feel like I'm under his skin, I will follow him anywhere.
4. Simon asked: How do you get all the physical description and personality about a character onto the page when you first meet that character?
You don't. If you try to, you'll have written what we call an "info-dump" and you'll be revising that right out of the manuscript. :) Don't worry, all of us did that when we started out. It's part of the learning curve. The best method is to weave in bits of description throughout the story, and to keep the description as minimal as you can without failing to deliver the character. You want just enough to let the reader have an idea of the character without putting in so much that it's a struggle to remember all of those details the next time the character enters a scene. As for personality, don't tell us anything. Show the personality through that character's dialogue and actions, and through the response of other characters.
5. Keli asked: How many wardrobe malfunctions have you dealt with during your release, if any?
No wardrobe malfunctions! No one is more shocked by this than me. It flies in the face of everything you've come to expect from me! After all, there is precedence for a clothing disaster while I'm up on a stage. And for me not paying close attention to my undergarments. Well, generally just not paying attention at all.
But luckily, no wardrobe malfunctions during an author event yet. However, I do have multiple events scheduled throughout the fall, so I'm sure I'll break my winning streak soon enough.
QUERY-palooza: Day Three
Super Duper Agent
Address
City, State Zip
Dear Super Duper Agent:
Fifteen-year-old Britt Donnelly is used to getting what she wants, thanks to her fourth class witch powers. In the last four years, she’s made herself the most popular girl in her class at Lincoln High, spelled herself into a leadership spot on the cheerleading squad, and earned top notch grades despite not actually learning anything. Most recently, she “persuaded” the junior running back that he should take her to Homecoming, even though the dance is still almost two months away. Life is absolutely perfect in her eyes. This is a fabulous first paragraph. We get a good sense of who Britt is, where her ethics/agenda lie, and what her life is like as the story starts.
But when Marc Trent moves back to town, Britt realizes that her view of “perfect” wasn’t even close…because Marc is the epitome of perfect. (I don’t think you need the “because…perfect.” Feels redundant.) He’s beautiful in a way she’s never seen before (add comma) and now she must have him. Problem is, he isn’t taking to her charms, and her persuading spells that work on everyone else aren’t working on him. Worse yet, if she doesn’t hurry, her best friend Haylie will steal Marc away from her. She sees only one possible solution – to complete an illegal-for-her-age love spell. Very good set-up of the conflict!
When the spell backfires, Britt finds herself in a mess she can’t spell herself out of. Her popularity status disappears, her friends choose sides, and all her magical powers are taken away. With the interest of a guy she never would have known if not for her illegal spell, Britt learns the hard way that sometimes it takes losing everything to discover what you really want. Nice! I understand how it all goes wrong, and what Britt must do to come out the other side.
_____________ is a young adult paranormal/contemporary romance novel complete at 70,000 words and can best be described as a mix of the 80’s movies Teen Witch and Can’t Buy Me Love. I’m a member of the SCBWI Midsouth Region and YALitChat group. Thank you for your time. Love it, except for the overly long genre description. This is a young adult paranormal romance. :)
Excellent job! I think you're ready to start querying this. Best of luck to you!
Sincerely, Me
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QUERY-palooza Day One!
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Description:
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WINNER #1
Today's query critique was used as my monthly column at Romance University. Congratulations to the winning writer! Didn't win today's critique? Another winner will be announced tomorrow!
Spooky Writing
When you're really immersed in writing strange things happen. Like I was just choosing some lettuce in the Safeway around the corner when a major, major revelation occurred to me. You remember these weird interstitial places in which real thinking occurs. Just before that I wrote about two thousand words at the local Toyota dealership while the Prius was being cleaned. Surrounded by the grayest, grimmest possible gear, with some sports conversation playing on the TV.
More Chips from the Ice Cave
Chris Schaberg writes to me that he identifies with my last post on writing. He's just submitted his book on airports to Continuum (congratulations Chris!), yet he's left with a feeling that it's incomplete or flawed.
I've learned to trust this feeling as a symptom of having finished something. “Did I just send a bunch of unreadable crap to the press? Who in their right mind is going to find this original?” I start inventing comedy blurbs:
“I COULD put it down.”
A real MUSTN'T read.”
“An eye-closing account that made me never want to read the author again.”
Any long term project involves a degree of psychic intimacy and intensity that just doesn't feel right. And there is a real sense in which your book, precisely because it's finished and finite, doesn't address everything. Never mind. You'll just have to write another one...
Watching the Walls of the Ice Cave
...that's my analogy for writing at present. You have to wait when you feel frozen. Just wait. Then the ice begins to melt a little. You have an idea. If you're writing anything original it feels like that, I think.
The point is to remain present to the ice. Every few sentences or paragraphs, you run into an impasse. When you're finished, a bunch of ice has melted—but there's still ice floating around. Maybe this is what explains the depression that happens when you finish a project—you are acutely aware of its limits.
Undergrad Political Science Folks Alert!
HT to Lukas Neville.
Tunneling
That's where I am right now.
Writing, writing, writing
Thank goodness we have bodies. We can exercise and move and get the energy flowing out of our heads, where it settles into a gray fog if you're not careful. If Buddhism is correct and we have an after-death state such as the bardo, I'm not looking forward to the fact that it's disembodied.








