In Guernica, by Emmanuel Iduma:
This past November and December, nearly 150 rusty black oil drums, splattered with drips of red paint by Nigerian artist Victor Ehikhamenor, sat stacked on top of one another at the entrance to the Jogja National Museum, as though awaiting use. Up close, each drum was marked with age, showing traces of abandonment before appropriation. Behind the drums stood an installation by Indonesian artist Maryanto Beb, composed of metal fabrications of an oilrig and its exhaust system, emitting balls of fiery fumes...[more]
Courtesy Victor Ehikhamenor
