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John Curtis Franklin, Kinyras: The Divine Lyre  
    
Kinyras, in Greco-Roman sources, is the central culture-hero of early Cyprus: legendary king, metallurge, Agamemnon’s (faithless) ally, Aphrodite’s priest, father of Myrrha and Adonis, rival of Apollo, ancestor of the Paphian priest-kings (and much more). Kinyras increased in depth and complexity with the demonstration in 1968 that Kinnaru—the divinized temple-lyre—was venerated at Ugarit, an important Late Bronze Age city just opposite Cyprus on the Syrian coast. John Curtis Franklin seeks to harmonize Kinyras as a mythological symbol of pre-Greek Cyprus with what is known of ritual music and deified instruments in the Bronze Age Near East, using evidence going back to early Mesopotamia. Franklin addresses issues of ethnicity and identity; migration and colonization, especially the Aegean diaspora to Cyprus, Cilicia, and Philistia in the Early Iron Age; cultural interface of Hellenic, Eteocypriot, and Levantine groups on Cyprus; early Greek poetics, epic memory, and myth-making; performance traditions and music archaeology; royal ideology and ritual poetics; and a host of specific philological and historical issues arising from the collation of classical and Near Eastern sources. Kinyras includes a vital background study of divinized balang-harps in Mesopotamia by Wolfgang Heimpel as well as illustrations and artwork by Glynnis Fawkes.
List of Figures    
    
          Preface    
    
          Conventions and Abbreviations    
    
          Introduction
1. Kinyras and Kinnaru    
    
          Part I: The Cult of Kinnaru
2. Instrument Gods and Musician Kings in Early Mesopotamia: Divinized Instruments    
    
          3. The Knr    
    
          4. Starting at Ebla: The City and Its Music    
    
          5. Mari and the Amorite Age: The City and Its Music    
    
          6. Peripherals, Hybrids, Cognates    
    
          7. Kinnaru of Ugarit    
    
          8. David and the Divine Lyre    
    
          Part II: Kinyras on Cyprus
9. Kinyras the Kinyrist    
    
          10. Praising Kinyras    
    
          11. Lyric Landscapes of Early Cyprus    
    
          12. Kinyras the Lamenter    
    
          13. The Talents of Kinyras    
    
          14. Restringing Kinyras    
    
          15. Crossing the Water    
    
          16. The Kinyradai of Paphos    
    
          Part III: Kinyras and the Lands around Cyprus
17. Kinyras at Pylos    
    
          18. The Melding of Kinyras and Kothar    
    
          19. Kinyras, Kothar, and the Passage from Byblos: Kinyras, Kinnaru, and the Canaanite Shift    
    
          20. Kinyras at Sidon? The Strange Affair of Abdalonymos    
    
          21. Syro-Cilician Approaches    
    
          Appendices
Appendix A. A Note on ‘Balang’ in the Gudea Cylinders    
    
          Appendix B. Ptolemy Khennos as a Source for the Contest of Kinyras and Apollo    
    
          Appendix C. Horace, Cinara, and the Syrian Musiciennes of Rome    
    
          Appendix D. Kinyrízein: The View from Stoudios    
    
          Appendix E. The ‘Lost Site’ of Kinyreia    
    
          Appendix F. Theodontius: Another Cilician Kinyras?    
    
          Appendix G. Étienne de Lusignan and ‘the God Cinaras’    
    
          Balang-Gods, Wolfgang Heimpel    
    
          Bibliography