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| Stonemasons dismantle concrete from the original stone blocks [Credit: Cultural Heritage Administration, South Korea] |
“I went through every historical record from the 13th-century Samguk Yusa -- memorabilia of the Three Kingdoms. But no book had a record of how tall it was,” said Kim Derk-moon, director of the National Research Institute of Cultural Heritage, who has been overseeing the restoration project for 15 years.
“A lot of things about the pagoda have been revealed during the restoration.”
In 1999, the Korean government decided to restore the 1,300-year-old pagoda, which was showing severe signs of instability and decay. It took a decade to disassemble. Along the way, archaeologists found sariras and other artifacts, which revealed the pagoda’s original construction year.
Over the centuries, the pagoda observed the collapse of 700-year-old Baekje Kingdom and the rise of three new kingdoms afterward. It slowly deteriorated until it partially collapsed in the 18th century. A Joseon-era document depicted the pagoda standing seven stories tall, with piles of bricks supporting the pagoda to prevent its collapse. The pagoda decayed further to near collapse in the early 1900s. The destruction was shabbily prevented by covering the back of the pagoda with 185 tons of concrete during the Japanese colonial period.
Since then, it has stood six-stories tall on the western side of Mireuksa Temple site, one of the eight historical sites of the Baekje Kingdom added to UNESCO’s World Heritage list in July. The eight -- royal palaces, fortresses and tombs representing later periods of Baekje -- are scattered across the nearby cities of Gongju, Buyeo and Iksan.
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| Stone pillars that form the first level of the pagoda are erected [Credit: Cultural Heritage Administration, South Korea] |
Pagodas were important objects of worship for early Buddhists. The pagoda had an empty space on the first level so that people could walk in and perform religious rituals. Its architecture is noted with a rare mix of features of wooden and stone pagodas, offering understanding in the transition of Buddhist pagodas in terms of materials and styles.
“What’s interesting about the pagoda is that it’s designed like wooden pagodas, but it’s built with stone,” said Kim.
Some mysteries of the pagoda’s structure have been solved. The secret behind the durability of the stone pagoda, composed of thousands of pieces of sculpted stone, was the thin layers of soil between stone blocks. The layers acted like cushions, dividing the weight from top to bottom. Based on this ancient construction technique, modern scientists and engineers came up with a new method – mixing soil with minerals – to make the effect last longer.
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| A staff member colors the new stone block to achieve a balanced shade with old stone blocks [Credit: Cultural Heritage Administration, South Korea] |
To prevent the pagoda from looking too obviously restored, the art team is coloring new stone blocks. They put small dots of acrylic paint on the stones so as not to repeat the same mistake done on the restoration of the eastern pagoda of Mireuksa Temple. The eastern pagoda, recreated in 1993 after four years of construction, still looks like a replica. It is regarded as a “worst case restoration.”
Asked if the paint would wash off in the rain, Lee Dong-shik, preservation treatment researcher said that “the acrylic paint will bleach a few years later and the stone blocks will look natural, as if they were original.”
Author: Lee Woo-young | Source: The Korea Herald [December 29, 2015]









