Turkey, DAF Meydan #26 - Image: "Art by Women Engaging the
rebellion Artemisia Gentileschi" - Existing Revolution (tr)
[machine translation] (a-infos-en@ainfos.ca)
A rtemisi Gentileschi, a 17th-century Italian baroque painter. ---- Women do not have the
numbers in each area, the house is closed, living in an age in which men remain in need of
Artemisia, it has been resisted by the church and the arts to attack patriarchy. ----
Artemisia's story, the father of the painter Agostino Tassie has found to give training to
rape her picture starts with him. Tassi noble church court acquitted a man for that, even
Artemisia iffetsizlikl to crimes court, it is abused under the name of virginity testing
and later covered the event in the end. But remember that faith is not lived Artemisia and
never forgotten. Women interested in art, in an era when signing the picture with the name
of their husbands or fathers; Converts Artemisia art weapons.
Because spreading rumors in Rome marrying forced to move to Florence Artemisia, work has
continued on here. Academia del Disegno is the first female student admitted. Art
technical content as well as the beğenils criticism, because paintings "powers" are not
the kind to go to the attachments nice!
The woman painter of the period, because of the anatomy and is directed to the prevention
of still life painting nudes. But Artemisia religious and mythological subjects were
worked addressing. The common feature stories of strong women that choose to include, for
example, the rapist is killed or talking about women who choose to commit suicide rather
than compromise with the enemy.
Susanna and the Elderly
This table is inspired by the Old Testament, it tells the story of Susanna. The wife of a
wealthy merchant during the Babylonian captivity of the Israelites that man Susanna,
watching him while bathing in the garden of the home of two elderly man suffered
harassment. Elderly women to do what they want, or they tell him they accused of adultery
with a young man. Of sheep against Susanna, fulfill their threats. Susanne tried by the
court, he was sentenced to death by the time the law.
However, the two old men abused bath while Susanna, the male artist; Rubens and
Velazquez's paintings "displeased" with almost "himself likes to provoke and to expose
men" depicted in the figure. In Artemisia table, naked and defenseless young woman, two
men out from the face of his "disgust and discomfort" felt clearly.
Another important detail on the table, Artemisia two men in the picture, and his father is
a rapist Tassie model as boots. Hatred for his father and rapists, disgust; Susanna's face
was depicted in the model itself received.
Cutting the Judith Holofernes's head
A Jewish widow, Judith, the Assyrian commander to rescue people from the attack of the
Assyrian Home lofernes will be killed. Besides maid Abra infiltrated the Assyrian camp.
Judith Holofernes, who once fell in love with himself, he is left alone after a banquet
and drunk with the sword cuts the head of Holofernes and the city square take the heat.
Commanders who died Assyrians, would leave the city.
This story is inspired by such statements. Many artists in the tables committed by
depicting the story of Judith, is seen leaving his sword and cut-scene starts in his hand.
But Artemisia table littered with blood and Judith's unflappable image reveals a more
stunning scenery.
Previously this issue is said to be influenced by Caravaggio functioning well, when
compared to both the painter's pictures; handling issues are very different formats.
Judith seems uneasy with makeshift swords in the hands of the Caravaggio's paintings. If
help is waiting just Abra cloth to wrap the edges of the sore hand. But Judith cuts off
Holofernes's head with the sword in his determination to keep Artemisia picture. Face has
a nonchalant expression. Assistant Abra above Holofernes this time, blocking the movement;
Judith is helping.
Artemisia, the Holofernes in this table, as in Susanna and the old table has been drawn by
Tassie model. Judith is himself.
Artemisia table 34 has reached far. But sometimes he has been ignored in the history of
art is sometimes referred to as his father's name.
In contrast to the period of the male artists, female soulless, pointless and most
serious-minded and erotically charged scene composition functioning even in the draw are
not pictures; paintings depicting the strong and determined stance of the women have done
Artemisia. Because he ignored the women have poured their anger they live canvases. Any
restrictions on, social pressure, raped, and has resisted pressure from religious
patriarchy, resistance has also been bringing in the art.
Revolution existing
devrime@meydangazetesi.org
http://meydangazetesi.org/gundem/2015/05/resim-sanatini-isyaniyla-bulusturan-kadin-artemisia-gentileschi-devrim-varol/
