Bebson de la Rue and the anti-art of Kongofuturism

In Chimurenga Chronic, Eléonore Hellio profiles a prolific musical-artist-maker of creative spaces:
Bebson de la Rue is one of central Africa’s most unique sound and visual artists. A musician and a singer, a rapper, performer and bricoleur extraordinaire, he grew up in the city of Mbandaka, on the banks of the Congo River. Located astride the Equator in a region of dense tropical forest, under Belgian rule Mbandaka was known as Coquilhatville. There, in the late 19th century, extraordinary violence was visited on the bodies and the minds of men, women and children forced to collect rubber for the colonial overlord, King Leopold II. In 1989, Bebson left Mbandaka for Kinshasa. There, he moved to Ngbaka, one of the city’s toughest neighbourhoods. Ngbaka is located near Kin’s largest market. Not so long ago, it was a pretty quarter, known for the river that runs through it. In recent years, it has become home to those hardest off – kulunas (gang members), shegues (street children), tshels (prostitutes), dealers and a few families trying, like Bebson’s, to make it no matter what. Open to any and all who need the space, the compound he calls home is a refuge for many, related and otherwise...[continue reading]
BEBSON DE LA RUE & TRIONYX par BBC AFRIQUE et... by mowoso