FRANCE: MUSIC AND DANCE



French music during the Medieval and Renaissance period is one of my favorite genres I remember studying in music history class in college. Amazingly, I retained something from those 8am classes.  French traveling musicians such as troubadours and other traveling musicians added much to the development of French folk music, namely the idea of the motet. Baroque composers, such as Louis Couperin, François Couperin, Jacques Champion de Chambonnières, Claude Le Jeune, and Jean Philippe Rameau were influential at introducing new practices with harmony. The clarinet was also becoming popular as an orchestral instrument during this time. (The song below is "Revecy venir du printans" by Claude Le Jeune. It was one of my favorites in college.) 

Twentieth century folk music has become a popular genre in France, and each region has its own contributions and variations. The valse-musette (or French waltz) with its characteristic accordion accompaniment was popular in the Paris area and fairly iconic when it comes to French music. The soundtrack for the movie Amélie, written by Yann Tiersen, is a perfect example of this. The western provinces tend to promote more ballad-singing, dance songs, and fiddle music. The eastern province of Brittany has a lot of Celtic tradition to their culture. One traditional song type is a call-and-response mixed with a ballad. Bagpipes, bombards, and drums make up most of the instrumentation here. Central France also uses bagpipes, but they also make use of the hurdy-gurdy, a type of string instrument turned with a wheel with several drone strings. The Basque Country of southern France is most known for its ttun-ttun and xirula styles of folk music. Choral and band music alike are commonly performed there as well.