FIJI: MUSIC AND DANCE


Although Fiji is considered part of Melanesia (the group of islands generally closest to Australia and Papua New Guinea), their music tends to include Polynesian (group of islands farther east) styles as well.
Lali drum
Fijian folk music follows the trends of Polynesia. Folk music today includes modern instruments such as guitars, ukeleles, and mandolin (which I’m trying to teach myself to play), but also still incorporates traditional instruments as well.  Lali drums serve several functions, making it an important part of Fijian society.  It was used to call people together, to announce births, deaths, and war.  Lali drums can come in a few different sizes depending on the purpose and timber needed.  Another percussion instrument that may also be found in Fijian folk music is the derua: bamboo tubes of various sizes that are stamped on ground or mats. (I wonder if this is where The Blue Man Group got some of their ideas.)
Indo-Fijian music has a broader array of styles; Indian music has a long tradition, and the Indians who were brought to Fiji brought these along with them. One of the most popular forms is called Bhajans, devotional pieces accompanied by a harmonium (a smaller reed organ called a pump organ) and dholak (drums). (Every time I see the word “dholak,” I think it says “dalek.” My fellow Whovians understand.) Solo dholak players like Sashi Roy and Shailendra Prakash Sharma have developed different techniques of playing and have went on to be successful musicians.
dholak
Qawaali is also a devotional musical form from the northern areas of India and Pakistan that goes back at least 700 years.  In Fiji, there was a lack of tabla players, and they ended up getting together with dholak players and bhajan singers and brought qawaali up as popular musical form in Fiji. It’s become a new style of qawaali which has purists snubbing it, but that’s not stopping its popularity in Fiji.
Another style that has gained popularity is the ghazal, also having its roots in India and the Arab countries. It’s characterized by rhyming couplets and a refrain, expressing the dichotomy of the pain and beauty of love. Mushtari Begum, an Indian residing in Fiji, was awarded the title of “Queen of Ghazal” by the Indian High Consulate in 1973. Cassius Khan, a student of Begum currently living in Canada, is another among the world’s greatest ghazal musicians.