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| David Ward |
The Inaugural has come and gone without leaving much of a trace although there is a lingering 'controversy' - the inverted commas are because the kerfuffle is being kept alive by the media and some opportunistic politicians - over whether Beyoncé lip-synched the National Anthem. Since lip-synching is now a commonplace at live events (Yo Yo Ma's cello concerto was entirely pre-recorded for the 2009 Inaugural) one wonders what the point of the fuss is. Anyway, her earrings were fabulous.
What of the inaugural poem by Richard Blanco? Called 'One Today' it was well received by the public, commentators, and people I know. Rhetorically and as a performance piece it did what the occasion required: it was uplifting, unifying, and embracing. It used a series of homely descriptors (school buses, trucks, stalks of corn) to drive home the notion that we're all in this together. It was clearly structured and pitched in the tradition of Whitman’s and Sandburg’s populism, although both were a good deal more flinty and realistic about America than Mr Blanco. People reported that they cried while listening to it. This emotional welling up demonstrates one of the advantages of being the inaugural poet: it doesn't much matter what you write provided you tap into the wellsprings of goodwill evoked by the moment. The poet is there to confirm people's good intentions and well-meaning expectations. This Mr Blanco did to a fault.
'My face, your face, millions of faces in morning's mirrors, / each one yawning to life, crescendoing into our day...' I don't know about you, but my face has never crescendoed into anything. And then Mr Blanco proceeds with his litany of the things that happen as America and Americans set about doing what it is that we do, all bound together in our common purpose: skiving off work, having adulterous affairs with co-workers, mismanaging the financial sector, cheating on our taxes, dropping drones on Afghan wedding parties and on and on in life's rich tapestry. No! Sorry – I meant the things that we do as honest, good natured, well meaning Americans, going about our lives full in the knowledge that we are all in this together, bound up together by the land and the light: 'One ground. Our ground, rooting us to every stalk / of corn, every head of wheat sown by sweat / and hands...'
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| David Ward's verse was anthologised in New Poetries V |
There is an odd phrase at the end of 'One Today' when Mr Blanco charts the sun setting and the rising of the moon. He writes, 'And always one moon / like a silent drum tapping on every rooftop...' He ends as infelicitously as he began: how in God's name does the moon tap on every rooftop? And how does it do so silently? Forget that. Notice instead 'drum tapping.' Mr Blanco must have meant this as an homage to Whitman and his Civil War poems, 'Drum Taps.' As well as making a little poetic joke, he doubtless sought to link his poem with Whitman's in the sense that they both were creating a national epic. But he fails at the essentials: his poem is not about a great national crisis faced with sober realism; it has nothing of Whitman's clarity; and finally it has nothing of his commitment to democratic egalitarianism – the sense that it's the very multitudinous nature of Americans that is our country's strength.
David C. Ward
David C. Ward is an historian at the National Portrait Gallery, Smithsonian Institution, where he has curated exhibitions on Walt Whitman and Abraham Lincoln, among others. With graduate degrees from Warwick University and Yale, he is the author of Charles Willson Peale: Art and Selfhood in the Early Republic (2004) and (with Jonathan D. Katz) Hide/Seek: Difference and Desire in American Portraiture (2010). His exhibition, Poetic Likeness: Modern American Poets, opened at the NPG in Autumn 2012. His pamphlet of poems Internal Difference was published by Lintott Press in 2011. His verse was anthologised in New Poetries V (Carcanet, 2011).
PS
David Ward was at the White House on 15th June 2012 for the Obama's proclamation of Pride Month. (He was on the guest list for having curated Hide/Seek at the National Portrait Gallery and having done a small exhibit on gay history from the Smithsonian’s archives for the event itself.) To read his 'Letter from the White House' in PN Review 207, click here.
PS
David Ward was at the White House on 15th June 2012 for the Obama's proclamation of Pride Month. (He was on the guest list for having curated Hide/Seek at the National Portrait Gallery and having done a small exhibit on gay history from the Smithsonian’s archives for the event itself.) To read his 'Letter from the White House' in PN Review 207, click here.







