An iconographic analysis conducted regarding different Maya murals created in Prehispanic times, between 600 and 1000 of the Common Era, have allowed reconstructing hypothetically the way military was integrated in this culture; scenes studied refer to aspects like the command and armaments systems, as well as communication and tactics used at the height of this ancient civilization.
Until now, Bonampak frescoes, in Chiapas, and San Bartolo, in El Peten, Guatemala, were the most researched expressions to understand siege and defense tactics of Maya cities. Nevertheless, in 4 archaeological zones of northern Yucatan Peninsula there are mural paintings that bring in new information in the matter.
Eduardo Tejeda Monroy, archaeologist of the National Institute of Anthropology and History (INAH), presented a descriptive study of the images that integrate murals at Chichen Itza, Chacmultun and Mulchic, in Yucatan and Ichmac, in Campeche, at his recent participation in the 6th Permanent Conferences of Archaeology in 2010 at the Templo Mayor Museum.
Armaments
Besides the deterioration of these vestiges, it was possible to establish that Mayas from different cities used similar arms, such as the axe employed to give lethal strikes; the curved stick that functioned as a club, and the dart-thrower used to attack enemies from distances up to 100 meters.
The INAH researcher detailed that at the paintings captured in the Chac Mool Temple pilasters, the northwest colonnade of the Thousand Columns Group an the relief at the Inferior Temple of the Jaguars, both in Chichen Itza, military confrontation scenes can be appreciated where this combat artifacts are been used.
For their defense, Mayas from this zone used mainly a cotton breastplate hardened with salt and wood shields, as appreciated in frescoes captured at Temple of the Tables in Chichen Itza, mentioned Tejeda Monroy.
Configuration of the armies
Two different infantry bodies integrated the army: the short and long range combat groups, depending on the kind of weapons used, explained the specialist.
He added that military was organized and leaded by several war chiefs, among them, the ruler, who distinguished himself by carrying elements that conferred him authority, such as great feather headdresses, ear and nose ornaments as well as pectorals.
The mural at the Temple of the Jaguars in Chichen Itza, is an example: it depicts the lord wearing a crown with 3 great white feathers, the same headdress is represented in the ornaments at the great ballgame court, symbolizing its sacred character.
“We still do not know if Maya troops worked full time or were convoked in war times, neither how armies were supplied”.
Communication
According to images captured in The Nuns Complex in Chichen Itza and Structure 3 at Chacmultun, both in Yucatan, and the Paintings Building in Ichman, Campeche, Maya armies used sound communication systems with bugles, trumpets and drums, mentioned Tejeda.
These paintings show how soldiers painted their face and torso to distinguish from their adversaries.
Tactics
By the scenes represented at the murals at these 4 sites, “it is inferred that Mayas managed the main combat formations: the line and the column, being the first the basic march formation and the second the initial battle position”.
We can notice that armies did not fight completely face to face, as Romans did, they looked to attack from different flanks to corner the enemy and leave it without counterattack possibilities, concluded Tejeda Monroy.
Source: Art Daily [October 15, 2010]